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what is aciphex rabeprazole sodium used for Opening their concert with Shostakovich's tornado-like Festive Overture, the hard-working BSO played well for Karabits. The programme's second half made an intelligent comparison between the two composers' operatic outputs, showing the way in which – long before they met – they were instinctively structuring their works. The evocative Four Sea Interludes and Passacaglia from Peter Grimes found Karabits more alert to the bigger drama than the atmospheric detail. Nor did the often brutal banality of the Five Interludes (one of them a big Passacaglia) from Lady Macbeth of Mtsensk allow much scope for subtlety, but the orchestra – with extra brass players drafted in – acquitted itself excitingly.